Tuesday, April 16, 2013

The Yin and Yang of Delays

If you read any of my other blogs, you will note that this one is stripped of everything personal. It's been all about the web series or indie filmmaking. I figure that our donors and future viewers aren't really interested in our personal problems. Everyone has many of their own to worry about. And I agree with that. However, sometimes the health of someone on a project's cast or key crew becomes an issue in whether or not that project can continue. For example, the cancer that impacted the leads for Dexter and Spartacus. Health issues are amplified as problems when the cast and crew are so very small.

I am a survivor of a rare cancer of the appendix. Current stats contend that a diagnosis like mine is one in a million in cancer patients. The upside of such a rare cancer is that it is of great interest to a teaching hospital. Thus, I got and continue to get excellent care. The downside is that I'm studied like a lab rat. Every six months, I undergo a battery of tests to make sure I'm cancer free. This go around, some 'oddities' were found in my CT scan of the abdomen and in my mammogram (they make sure to test for everything). The results of those oddities has been more tests, including needle biopsies on both breasts. Each one left me almost incapacitated for a week. And every extra test left me a nervous wreck. Meanwhile, Jon is rushed to the ER twice in six weeks with excruciating pain in his side. Turns out, he has kidney stones. Though not life threatening, the attacks left Jon exhausted physically and mentally. This was especially true of the second as it really aggravated his his kidney. For at least two weekends in the last six, we've been forced to just stay still and completely rest. Since weekends are when we work on Demonspawn, that means we've fallen behind our current schedule.

What could possibly be the upside of that sort of delay, you ask? Well, one of the really important scenes we were writing that fit our budget yet was still exciting takes place in a location that no one we knew had access to. We didn't even know anyone that had access to a location that we could make look like the location we really wanted. The delay has resulted in someone very close to us having access to the perfect location when we shoot. It was almost kismet!

Speaking of Delays

Meanwhile, a year ago, our producing partner approached me about helping him schedule and budget an indie film for a writer he'd met on a shoot. Scheduling is a skill set that I learned after someone tried to charge me 10,000 to do one. As I recall, I laughed derisively, hung up the phone on him and fired up Google. I had an advantage of having done a feature schedule the old fashioned way – cardboard strips with each scene written on it along with codes for the rest of the elements in the scene (and then manually arranged them). It was easy to learn how to make the scheduling software work after going through something like that. Since that summer, I've scheduled dozens of films. I can now tell by just reading a script what the minimum number of shoot days would be. Anyway, we helped work on the development of the film a while ago and even agreed to work on it. At the time, we didn't think the shoots would interfere with each other in any way. Many delays later, the shoot is nigh and they still want me to continue to work on it. And not just me, half our cast may be working on it as well at some point. Our current plan is to try to shoot it during this film's pre-production in May or directly after that one wraps. What is the upside of twice the work? First, this film is a big lot of fun. Second, it's be great just to be in the habit of running a shoot. We'd have something like a running start. And third, I think we can lure some of the film's cast and/or acquire some of its assets. This would be most exciting to any fan of genre Sci-fi. And that's all I can really give away.

The upshot to all of this is that we are all much better physically, and we will have a script ready for a table read in another week or two. By then, I will also be able to reveal what this mystery film is as well. We really appreciate your patience and understanding and so does the cast and crew.

Sunday, March 31, 2013

Updates on a Delicate Question

Joe McKay (Garett Maggart) wakes from a Nightmare
The last blog raised an interesting question about whether there will be nudity in the Demonspawn web series. I can't say (spoiler) for certain. There are many opportunities and we do have a very cute cast. I can tell you that there will be none seen on Youtube. If there is any, it will only be seen by the donors on the exclusive DVD for a while. We are in talks to get it distributed on some webtv channels where a bit skin and gore isn't an issue. Not that we have a lot of either (keeping it tasteful), but there is blood(vampires). After the initial run on Youtube is over, the full cut version of the webseries will be available to everyone.

Oh, and many thanks who have written me about my cancer tests. I am feeling fine and fully expect that all of the tests will reflect that. However, no matter what happens, we'll be shooting the webseries. The cast has been remarkably supportive of me during this. I could probably do without the serenading, but I do appreciate it. I and I really admire their commitment to this project. We've become a film family of sorts over the years. that's why we try to share how much fun this process is, so you can enjoy it as well. The whole family thing goes a long way on those 17 hour shoots. But that is for another day.

Sunday, March 24, 2013

Wacky Questions with Wackier Responses

It takes a lot for a film related question to make me blink. Last week, I was asked if I knew anyone that could give them a price on a cow milking machine rental. I barely raised an eyebrow. All I wanted to know was whether there were insurance issues (that would be who and/or what they planned on hooking to the machine). I never got any specifics on that question. Someone else found the answer. When these Q&A exchanges occur ringside on social media, I can almost feel the questions coming from family and friends back east. There is much in the way of incredulity and confusion. It's not the questions in and of themselves that cause those states. The lack of reaction confused them.

Filmmaking is full of questions. Three quarters of them are mundane – maybe even 80 percent. But much of filmmaking is telling stories of the out of the ordinary. That sort of task is bound to produce some really strange questions.

“Do current model cars have releases inside the trunk?” Jon asked me over dinner a couple of weeks ago. My life has been really dull of late. My kidnappings had dwindled down to nothing, so I had no idea. I was also puzzled about why Simon would need an escape latch to get out of the trunk. If Joe couldn't open it for him, something had gone terribly awry that would course Simon to burst from the trunk, sending it high in the air. He had something else in mind, it turned out. I asked one of our more mechanically inclined friends and occasional set elf, Randy. I was informed that recent makes of cars do have a release latch built inside the trunk. That caused me to wonder just how many kidnappings and/or really goofy accidents had been happening worldwide to cause such feature to be built into autos.

While Jon adjusted the script for the physically realities of current car trunks, I had questions I need to ask our insurance company and members of the cast. No matter how safe the car companies believe the release mechanisms are, insurance companies may still not like the idea of closing an actor in side a real trunk without a big premium to cover any problems. There weren't any. Next, I had to ask the actors if they minded us locking them in a car trunk. I ask actors lots of questions in the run up to a shoot. Those questions generally focus on the logistics of traveling to the location or whether or not they have food allergies or strongly held food preferences. There is nothing that will ruin morale on the set than getting the food wrong! Strangely, the question of whether an actor will go for nudity is decided long before any of these kinds of questions. I nudity is a problem that is not something a production needs to learn once pre-production or production has begun. Have we asked the nudity question in regard to Demonspawn? That would be a big spoiler, wouldn't it?

At any rate, I realized that I needed to ask that question of our current actors and for any ones we cast in major speaking roles. It was one fun email to write as I had to include assurances that none of this was for our own personal entertainment. It has been implied that some directors and producers enjoy doing things like hanging actors upside down and putting their heads in casts just because they can. We never do anything that isn't for the film. Fun is purely a coincidence.

The next set of questions I had to research was could we build a camera rigging that could move it through the car past the back seat back into the trunk. The rigging would have to be sturdy enough to keep the camera safe, have smooth movement and still be cheap. A few questions on the frugal filmmakers network of websites and youtube channels soon gave me a few PVC pipe related options. Those guys are awesome. Naturally, we will document the rig as we build it.

If you have any questions that you want to ask us, let us know!

Monday, March 4, 2013

Recreating the Past and Casting Update

Read Carefully!
First, this is something one of our fans sent to me. A little vampire joke, if you will. This was because of one of the funnier images from the original film – Simon getting an eye exam. Jon and I always liked the dentist scene more. This was partly because we adored the actor playing the dentist (David Wiesenberg) and partly because he acted like a dentist It brings up one of the questions we've had a lot of recently. I wrote earlier about the possibility of flashbacks of scenes from the original film to establish Owen Szabo as Simon Molinar. There were plans to reconstruct the 'demon box' and other plans that meant reconstructing the isolation tank in CG. We still want to do that, but it will have to wait until the next season of the web series. Meanwhile, we will do images from the montage of medical tests. The eye chart will be one of the images. We'll also do the dentist and maybe the burn tests to balance out the humor. We don't want to try to recreate the entire film. We were happy with the final result and see no need for improvement. However, we do have firmly establish Owen as Simon in fans' minds. The best way would be some duplication mixed with some scenes we would have liked to have had in the original film. This way, we don't have to worry about finding a large number of the original actors. We can pretend that those characters were on break during these scenes. We'll also plan to do some casual shots of Simon and Joe of their time on the run together. There will be natural places in the narrative that call for flashbacks. I want to have all of the cast have their own flashbacks over time. It's something actors like doing – their character but from a different time in that character's life.

Casting

We've had some solid suggestions from our cast about who to cast for the open parts. I am told that there will be more once they've read the character breakdown and the script. This is good news. We hate doing casting sessions. Also, our cast is talented. They would not pick people to work with who weren't as talented. That makes for a very, very long day. Our cast is also really mellow. They are most likely to suggest actors who are of similar temperament. That suits us just fine as well. This will not be an easy shoot. We would rather have laid back and funny actors during those long hours. We're hoping to set a date for table reads of the script in a couple of weeks. We really appreciate the continuing interest and patience everyone has been showing.

To see some of the scenes that we plan on recreating, just click on this link: http://demonspawntales.blogspot.com/p/blog-page.html


Sunday, February 17, 2013

Hairy Terrors and Location Updates

There is a fear that producers have once a role has been cast. It's a worry that during the weeks of pre-production something will happen to prevent the actor from working on the project or that they won't be the same as when you cast them. For example, the rail thin starlet you've cast as a femme fatale turns up for rehearsals visibly pregnant. Or your pretty boy lead gets his face shredded in a motorcycle accident. It's terrifying. Even with insurance covering the loss and the cost of re-casting, it's a nightmare. When it's a low budget production, producers have no say over what an actor does to his person or what they may be doing in their personal life that could impact a shoot. Heck, the big budget shoots have problems dealing with that. Of course, we always ask if an actor is planning on remaining in the state we found him for the duration of the time we're filming. And we ask that they give a really good effort at trying to remain the same as when we cast them. Our experiences have been good as far as that is concerned. However, there are times when things happen. Jon was filming his thesis film over two weekends. The first weekend, the lead was clean shaven. The second weekend, he showed up with a fabulous moustache he needed to have for a play. Jon had to wait 8 weeks to finish his shoot so that the shots would match.

This brings me to the scare with our vampire. He has lovely, shoulder length hair that makes him look like a romantic figure in caught in the wrong time. The hair certainly work for the flashback scenes to other time. Imagine my surprise when I looked on Facebook and found a lovely photo of our Simon with very short hair. I swallowed hard, thinking about when I would begin a search for a wig that might work while I complimented the photo. I wasn't fibbing. He looked good in the haircut. I thought for a moment that an acting job had come up that required him to cut his hair. After putting on a brave face, I was about to ask if a cool part had come up. Then, I got word on my Facebook page that the photo was a prank on his friends! My heart stopped racing frantically and I got on with my day. We would have been fine as your vampire would be adorable with a green mohawk. I'm just glad that he doesn't have one.

However, we have had to make some adjustments to accommodate our casts. It is pilot season, and to give our guys the best chance at landing one, we're going to hold off on everything until about mid-March. One actor is already in a different part of the country perusing a gig. The others are going out and having call backs. This new start date makes allowances for any pilot shoot that may occur. We figure that it just makes our cast more famous when we get to the web series.

Location Updates
Jon and I have been doing experiments with green screens and footage of street scenes. They worked very well. No one could tell that we weren't live. This will solve a huge location issue and save us hundreds of dollars! We will not reveal those tests right now. If no one knows what scenes are a special effect, no one may even notice. And I have negotiated the use of two excellent locations for the price of some appetizers and baked goods. I feel like a dragon hoarding the gold that is our budget. I will not let a coin go unless I absolutely must!

Wednesday, February 6, 2013

Dance Moves, Vampire Noir and Updates

Yes, that was our very own Jack Donner aka Dr. Richard Bassett in that hilarious Taco Bell ad during the Super Bowl. He's been holding out on us, it seems. We did not know he had any dance moves! We're now trying to figure out how to incorporate this knowledge into something fun for the web series. For those of you who missed it, here it is: http://youtu.be/KvxZcULxfKw

Naturally, we got very little done because it was Super Bowl weekend. That is, we didn't get together with the actors. Jon and I were working even during that Sunday. We're at the stage in the re-write where we talk through dialog to each other. The new treatment is done. Next we go episode by episode and scene by scene constructing the dialog between the characters. We're having a bit of a squabble over a new character and how far to take him during the story arc. Jon has a tendency to go over the top where I tend to like my drama to be more subtle. In this case, it's a dispute over whether a new character should be as powerful as the Terminator in Terminator 2 or he should be more like Jason Bourne – dangerous but killable. I'm getting ahead of myself though. I have to set up a little background for the new script. Don't worry. There are no spoilers. Those were just metaphorical examples.

Some of the great things that have happened as a result of the fund raiser is that we had to come up with script solutions for the budget that resulted in a longer web series by a few episodes. We also created a new character that has long been desired by those who followed Demon Under Glass. The drama had to be more character driven than action driven. We needed to cut down on the number of smaller parts. This solution is really logical and it is a great source of humor and terror. I love writing parallel characters to show how one decision can dramatically alter the course of a life. We have two sets of parallel lives in this web series. I really loved what we had originally planned for a young woman we called 'the Twilight girl.' We are keeping some of those scenes, but I'm really enjoying what we've come up with in its stead. It is very easy to mock the romance in the Twilight Series. We still plan to do that. This girl's timing is almost tragically comedic at times. However, rather than just going for the laugh, we want to hold a mirror up to this poor girl and how terribly sad and dangerous her life choices have become. The Company Man and the Twilight Girl are completely new characters to the Demon Under Glass universe. Casting them will be an interesting process. We do plan to publish a character breakdown on this blog. Please, feel free to make suggestions.

Practical Updates
Since we have a new treatment and a firm idea of our locations, I'm going to make appointments to discuss the permit and insurance costs and application process with the proper authorities. Our budget is so low, that there aren't actual cost categories that cover our web series. It looks like everything will have to be a custom deal.

Donor Bonus
If any donor wishes, we are willing to share the scripts once they are written. We will require that a the signing of a non-dislcosure agreement before sending it.

Sunday, January 27, 2013

Questions Answered and Updates

I promise that this will not have spoilers. I will mention a number of things that we have in mind, but there is no way that anyone could see into the twisted minds of the writers and actors and figure out exactly where this story will go. So, read on with confidence and enjoy the ride.

Q & A

First, let me get to the questions from fans.
Yes, you can still donate to the production. It can be done one of two ways. You can donate directly to the production company or to one of the vendors supplying goods and services for the web series. For instance, you could help pay for extra prosthetic make-up directly with the vendor. That could free up our committed resources for something else that would be nice to have. You could help pay for a location or for catering. The level of contribution will be awarded the same kind of perks we did on the Indiegogo campaign. Just email me privately, and I can set it up anyway you like. My email address is deborahlwarner@gmail.com. We are keeping copious records of everything and are willing to open the books to any contributor at the end of the production.

No, thankfully, the lower budget will not mean that the series will lose its sense of humor. I believe that the series has gotten even funnier in a macabre kind of way or in the 'that's so wrong' kind of humor that came from our actors. But there won't be silliness. The characters take what's happening in their lives very seriously. It's just that some of the things happening are seriously screwed up. It's like if Buffy the Vampire Slayer met film noir. As I've said, I don't there is a way to stop Garett Maggart from being funny. We've just found some really different ways for that humor to show itself while keeping the tension and sometimes the horror.

Yes, this script does have elements from the second half of the novel, Demon Under Glass. But it also has themes from stories that appeared in the Demonspawn: On the Run anthologies. Once the script has been finalized, we'll notify the authors whose works are represented. I'm sure they'll be jazzed about getting credits on IMDB.com. Half of the script, however, is completely original. The discussions we had during the Nosferatu TVpodcast really did open our minds to some possibilities we had not considered. We've spent the last couple of weeks fleshing out the arc with what we have for resources. We'll have a draft to put in front of the actors by next weekend. I hope to finalize the remaining cast shortly after that. I will be sharing the character breakdowns on the blog. We're always looking for casting ideas.

Frugal Film Making

I posted this link on the Demonspawn Facebook Page. I found this Youtube Channel, the Frugal Filmmaker  and blog while looking for options to solve audio recording issues we were having with the teaser, my documentary other shoots we were doing out of pocket. I realized that it was the same site we used to find plans and instructions to make a stabilizing rig for the camera with PVC pipe. You can kind of see it in this photo. This fabulous man puts up a video almost every week that has something useful for a filmmaker with no money. In fact, his motto is basically that poverty is no excuse to not make a film. We did find a few options to solve our sound problems. I even tried them when I recorded a cooking video this week. Jon also decided to wear a wire for most of a day. They are very clear mics with their own digital recorders that are also thumb drives. We have enough for our leads and some spares while spending far less than we would to rent the same equipment. We really don't want to rent any equipment. It was inexpensive enough for us to invest in the equipment on our own like the stabilizing rig. Well, he has dozens of ideas for Demonspawn's equipment needs. He even does a video on craft services that was quite helpful. Most important of all is that he will answer questions on matters not covered in the videos in a very timely manner. That is very refreshing in a city where everyone has a hand out for any little bit of information.

That's it for now. I'll have more next week. Keep the questions coming. And we really appreciate the words of support.